Away From Her : Widescreen Edition

• Widescreen

Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

The Town (Two-Disc Extended Cut) [Blu-ray]

• TOWN, THE BLU-RAY (BLU-RAY DISC)

Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in! recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a fl! air for this directing thing and that his little brother can c! arry a m ajor motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. FennessyGone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River." It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private dete ctives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving tu! rn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the ! story than anyone could possibly imagine. Hard-hitting, but ne! ver soft -headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound yellow-haired Scandinavian who'd some! how arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready. Without sentimentalizing the grot! esque figure of Cheese, Lehane tells us enough about his past! to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the War, Sacred. --Dick ! AdlerGone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane (Mystic River).
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge a! s his primary concerns. First off, there's low-rent private ey! e Patric k Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, alo! ng with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. FennessyGONE BABY GONE is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River." It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private dete ctives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (MILLION DOLLAR BABY) and Ed Harris (POLLACK).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in ! recent years. Ostensibly, a procedural about the search for a ! missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a maj! or motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. A territory defined by hard heads and even harder luck, its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don't want the case. But after pleas from the child's aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl-lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound yellow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have ! to convince another mutual chum, the gun dealer Bubba Rugowski! , that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready. Without sentimentalizing the grotesque figure of Cheese, Lehane tells us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditi! onal law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the War, Sacred. --Dick Adler

The tough neighborhood of Dorchester is no place for the innocent or the weak. A territory defined by hard heads and even harde! r luck, its streets are littered with the detritus of broken f! amilies, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don't want the case. But after pleas from the child's aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl-lost.

Amanda McCready was four years old when she vanished from her blue-collar Boston neighborhood. Patrick Kenzie and Angela Gennaro risked everything to find herâ€"only to orchestrate her return to a neglectful mother and broken home.

Twelve years later, Amanda, now sixteen, is gone again.

The disappearance of little Amanda was the case that troubled Kenzie and Gennaro more than any other. Still haunted by their consciences, they must now revisit the nightmare that once tore them apartâ€"following the trail of a lost teenager into a world of identity thieves, methamphetamine dealers, and Russian gangsters, right up to the doorstep of a da! ngerously unstable crime boss and his demented wife. Once again Patrick and Angie will be putting everything that matters to them on the line in pursuit of the answer to the burning question: Is it possible to do the right thing and still be dead wrong?

Amazon Best Books of the Month, November 2010: It’s tough going for a good man in a messed-up world, particularly in Dennis Lehane's Boston. Patrick Kenzie knows he did the right thing twelve years ago (during the events in Gone, Baby, Gone) when he located missing 4-year-old Amanda McCready and returned her to her neglectful mother, even though she would’ve been better off with her kidnappers. That doesn’t mean he’s had an easy time living with his decision. In Moonlight Mile, Patrick is still scraping by as a freelance PI, but now he’s married to his former partner Angie Gennaro and with a daughter of his own. When Patrick learns that once again Amanda McCready’s gone mis! sing, his conscience gets the better of him and he's soon on t! he trail of the enigmatic 16-year-old, only to discover that the moral complexity of his work has not lessened with time. And neither has Lehane's talent as a top-notch crime writer. Much like a cup of Dunkin' Donuts coffee, Lehane never fails to satisfy and the latest Patrick and Angie story is no less addictive. --Shane HansanuwatBen Affleck follows his acclaimed Gone Baby Gone directorial debut by directing, co-writing and starring in a taut thriller about robbers and cops, friendship and betrayal, love and hope and escaping a past that has no future. He plays Doug MacRay, leader of a Boston bank robber gang but not cut from the same cloth as his fellow thieves. When Doug falls into a passionate romance with the bank manager (Rebecca Hall) briefly taken hostage in their last heist, he wants out of this life and out of the town. As the Feds close in and the crew questions his loyalty, he has one of two choices: betray his friends or lose the woman he loves. Jon Ham! m, Jeremy Renner, Blake Lively, Titus Welliver, Pete Postlethwaite and Chris Cooper also star.Ben Affleck worked triple-time on The Town, in which he directs, stars, and co-adapts Chuck Hogan's Prince of Thieves. Affleck's Doug MacRay comes from a line of Boston bank robbers. With his father (Chris Cooper) behind bars, he spent most of his childhood in Charlestown with loyal hothead Jem (The Hurt Locker's Jeremy Renner). Doug had a chance to go legit as a pro hockey player, but he threw it away on drugs and bad behavior. After the armed robbery that opens the film, Jem becomes convinced that bank manager Claire (Vicki Cristina Barcelona's Rebecca Hall) saw something, so Doug, who wore a disguise at the time, sets out to make sure she doesn't tell FBI agent Frawley (Mad Men's Jon Hamm) anything incriminating (Titus Welliver plays Frawley's partner). Doug starts by asking Claire out, and finds she's more shaken than stirred--and that he like! s her better than Jem's oxy-addicted sister, Krista (Gossip! Girl's Blake Lively), his sometime girlfriend. Unfortunately, neither Jem nor vicious enforcer Fergie (Pete Postlethwaite) will cut him loose until he orchestrates two more scores--the last to take place at Fenway Park. If The Town offers fewer surprises than Affleck's directorial debut, Gone Baby Gone, he raises the stakes with well-planned heists, nerve-jangling car chases, and deadly shootouts. Though Affleck looks too clean-cut to portray a thug, he gives a nicely understated performance, while Hall proves an inspired choice as a woman who could make a bad guy turn good--or die trying. --Kathleen C. Fennessy

Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

The Best of Dudley Do-Right, Vol. 1

• DoRight always does right somehow! He's back! The only Mountie ever to arrest a redwood tree . for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his

Follow the hilarious exploits of the dedicated but hapless young Mountie as he struggles to outwit the evil Snidely Whiplash.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 6-JAN-2004
Media Type: DVDBrendan Fraser (George of the Jungle, The Mummy) brings his considerable charm to this awkward live-action version of the classic cartoon Dudley Do-Right. The first half of the movie lays out the basic elements of the cartoon (none-too-bright Canadian ! Mountie battles melodrama villain Snidely Whiplash with pluck and dumb luck) with little wit or imagination, but lots of pratfalls and broad gags. But about halfway into it, when Whiplash has taken over the town of Semi-Happy Falls and become its leading citizen, the movie takes a curious turn: Since Whiplash has become, to all appearances, a good guy, Dudley decides the only way to fight him is to turn into a bad guy. Next thing you know, Dudley is decked out in black leather and cruising around on a motorbike while Whiplash fumes impotently. Bullwinkle fans may decry this departure, but it gives the movie a much-needed burst of energy and the opportunity for some entertainingly surreal images--like Whiplash up to his neck in a mudbath with cucumber slices on his eyes, consulting with his henchmen about dealing with that unpredictable Do-Right. With Alfred Molina, Sarah Jessica Parker, and Monty Python's Eric Idle. --Bret FetzerDoRight always does righ! t somehow! He's back! The only Mountie ever to arrest a redwo! od tree ... for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his pathetic allergy in "Marigolds"! Each cartoon pits him against that nefarious ne'erdowell Snidely Whiplash! Wittily written and voiced, these timeless classics are a fond salute to oldtime melodrama and remain some of the funniest cartoons ever made.

Dolls

• Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf

A mysterious drifter (Josh Hartnett) and a young Japanese Warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his seperate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secre! t past.A mysterious drifter (Josh Hartnett) and a young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secret past.A naïve young man assumes a dead man's identity in order to join a underworld game of Russian Roulette. The stakes are high, but the payout is more than he can resist. His only collateral is his life and however long his luck can hold. Are his odds any better than any other player in this most deadly game?In a young Republic of China, where greedy warlords fuel a period of war and strife, Hou Jie (Andy Lau) arrogantly shows no mercy to his enemies seeking refuge with! the benign and compassionate Shaolin monks. After unscrupulou! sly kill ing a wounded enemy, Hou Jie pays a terrible price for his actions and is forced to seek refuge in the same Shaolin Monastery he blatantly disrespected. Hou Jie s traitorous second-in-command Cao Man (Nicholas Tse) continues where the once-warlord left off, betraying his country and his own people. Hou Jie must adapt to Shaolin principles to stop the monster he created.

Bonus Features
English Dub
Deleted Scenes
US Trailers
International TrailersBased loosely on the 1982 martial arts epic Shaolin Temple, which helped to mint Jet Li as a star, this Hong Kong blockbuster from Benny Chan stars Andy Lau as a battle-weary warlord who finds refuge and then solace among the monks of a Shaolin temple. Set during the tumult of early Republican China, the story unfolds as Lau's warlord usurps his rivals, but at the cost of his daughter's life and his wife's loyalty. His spirit crushed, he decides to atone for his violent past by joining a Shaolin order (which count! s Jackie Chan, in a glorified cameo, as its cook). Lau's path to enlightenment is cast into doubt when he discovers that his former second-in-command (Nicholas Tse, in an enjoyably overripe performance) has enslaved the local population and forced them to unearth relics in order to pay for greater weapons. Things naturally come to a head between Lau and Tse, but the film is less concerned with sprawling martial arts battles than the emotional conflicts between and within its major players. Honor, familial loyalty, remorse, and pursuit of spiritual wholeness are cornerstones of Hong Kong action films, but the depth of the performances and screenplay (by Alan Yuen) lends rich nuances to the subjects, often at the expense of adding an extra fight scene to the picture. That's perhaps a good thing, as martial arts choreographer Corey Yuen's usual pyrotechnics are hobbled somewhat by his leads, who are fine actors but only modest fighters, leaving the firepower to wushu champion ! Wu Jing as a Shaolin elder. Chan's formidable talents are used! to unde rscore his comic contributions to the film, and as such, are only mildly entertaining. That's also how most martial arts fans will view Shaolin, though those who value theme as well as action may find it a frequently thoughtful diversion. The Blu-ray collector's edition features a gallery of deleted scenes (mostly extended versions of scenes in the theatrical cut) and trailers, as well as a pair of by-the-books featurettes on the film's production. Slightly more interesting are a handful of interviews with the principals, which touch on the picture's historical basis and the '82 Li film, among other subjects. --Paul GaitaThe tale of conan the cimmerian and his adventures across the continent of hyboria on a quest to avenge the murder of his father and the slaughter of his village. Studio: Lions Gate Home Ent. Release Date: 11/22/2011 Starring: Jason Momoa Rose Mcgowan Rating: Pg13 Director: Marcus NispelYou think your childhood was rough? Check out the ope! ning 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan! is all spooky as Khalar's daughter (she's got the fingernails! ) and Ra chel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonTear into the origins of the legendary tournament that pits the world's greatest warriors against the forces of Outworld in the fight to ! save our planet. Discover never-before-revelead storylines that deepen the mythology of the Mortal Kombat multiverse and the backstories of your favorite characters, including Jax, Sonya, Scorpion, Sub-Zero, Raiden, Johnny Cage, and more! This is kombat taken to a whole new level, more gritty and raw than anything you've ever seen before. FIGHT!Inspired by the everlasting emotions expressed in Japanese Bunraku doll theatre, Dolls weaves three stories delicately intertwined by the beauty of sadness. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza mysteriously returns to the park where he used to meet his long-past girlfriend. A disfigured pop star confronts the phenomenal devotion of her biggest fanDolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on! stoical cops or gangsters. The title refers most directly, bu! t not ex clusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action.

The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, and formal movement imposed by Kitano's compositional eye and rigorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is ! added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her.

This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson

Foxy Brown

• Used - Like New

Set in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The compariso! ns are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insolent young thugs and lowlifes on the estate grounds. It's a lonely existence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit o! f street justice. The cops, who are mostly depicted as clueles! s and th oroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it will stick with you. --Sam GrahamSet in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and ! is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The comparisons are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insole! nt young thugs and lowlifes on the estate grounds. It's a lone! ly exist ence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit of street justice. The cops, who are mostly depicted as clueless and thoroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it w! ill stick with you. --Sam GrahamUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Music Video, Scene Access, SYNOPSIS: Set in modern-day Britain, Harry Brown follows one man's (Sir Michael Caine) journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his a! ctions bring him into conflict with the police, led by investi! gating o fficer DCI Frampton (Emily Mortimer) and Sergeant Hickock (Charlie Creed-Miles). ...Harry BrownShe's brown sugar and spice...and if you don't watch it, she'll put you on ice! Delivering a performance worthy of "the Queen of the genre" (Los Angeles Times), Grier portrays one of the screens first action heroines with humor, sensitivity and steely determination. This electrifying revenge thriller explodes with all the sex appeal and cooler-than-cool attitude of its irresistible leading lady. Foxy Brown (Grier) has found her soulmate in an undercover narcotics investigator, but when he is brutally murdered, she swears vengeance against the crime ring responsible. Posing asa call girl to gain access to the ring's inner circle, Foxy discovers just how high the corruption extends, igniting a blistering war that takes her from the city streets to a remote drug laboratory to a breathtaking midair battle behind the controls of an airplane! But the most startling confrontations are ye! t to come as she schemes to bring down her boyfriend's killers in ways they never could have imagined.Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton Pam Grier, the voluptuous ! queen of blaxploitation movies (and the foxy title character o! f Quenti n Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton

7 For All Mankind Women's Erin Zip Fly Jean, Mercer, 26

• Front snap flap front pockets
• Zip fly

Trouser leg

Mac & Jac Women's Trapeeze Top, Beige, X-Small

• Pockets
• Stretch

Cap sleeve trapeeze style easy fit top with contrast chiffon banded bottom and front pockets

Cemetery Junction Poster Movie UK (11 x 17 Inches - 28cm x 44cm)

• 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• Please enlarge the image in the listing before purchasing - The Amazon image in this listing is a digital scan of the poster that you will receive
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A 1970s-set comedy centered on three upstart professional men working at an insurance company. Studio: Sony Pictures Home Ent Release Date: 08/17/2010 Starring: Ricky Gervais Emily Watson Run time: 95 minutes Rating: RRicky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and at! tractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthew Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place ! in the world, the directors provide a companion piece to pictu! res like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyCEMETERY JUNCTION - Blu-Ray MovieRicky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and attractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthe! w Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place in the world, the directors provide a companion piece to pictures like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyThis is an EXACT reproduction of a boo! k published before 1923. This IS NOT an OCR'd book with strang! e charac ters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.Cemetery Junction Reproduction Poster Print UK Style A 11 x 17 Inches - 28cm x 44cm

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Alone in the Dark

• A New Inventory System ¿ Players utilize the pockets of protagonist Edward Carnby to hold items which they can view, switch and combine without leaving the game.
• Narrative intensity ¿ Taking its cues from blockbuster TV dramas, the story is told in a TV season style narrative structure based around episodes that deliver maximum intensity throughout and keep the player hooked.
• A Captivating Story ¿ Centered in iconic Central Park long-time series protagonist and paranormal specialist Edward Carnby returns to delve into the frightening events occurring in the Big Apple.
• Real World Rules ¿ In-Game movement has been designed to allow players to do almost anything that is physically possible in the real world.
• Photographic Rendering ¿ Game developer Eden¿s Propriety ¿Twilight¿ technology creates a lavishly detailed game world with highly realistic and advanced cinema! tographic effects.

Alone in the Dark X360There?s something strange and frightening happening in the middle of New York City?s Central Park; something whispered to have been intentionally kept secret; something that players are compelled to explore in Alone in the Dark.

Known today as a safe haven for New Yorkers yearning for relief from the stresses of their chaotic metropolis, history records that Central Park was built on a useless swamp, yet as the New York City skyline hurtled towards the sky over the last 150 years, making the city the most expensive real estate in the world, the park has remained untouched. Why? Civic pride? Perhaps, but the recent strange happenings in and around the park are casting doubt on that, doubts that require investigating.

The return of! an icon ic series

Paranormal PI Edward Carnby. View larger.

Stunningly spooky views of NYC. View larger.

The odd wildlife of Central Park. View larger.

A whole new inventory system. View larger.

Enter Edward Carnby, Paranormal Investigator
Despite the title, Alone in the Dark is actually the fifth game in a series that dates back to 1992 and centers around the experiences of Edward "the reptile" Carnby. A paranormal investigator by trade, Carnby is looking for answers to the strange events and horrific creatures reported in and around the park, but gets more than he bargained for when all the mysteries and terrors of the park spill out over the course of one apocalyptic night. It?s the player?s task to avoid the new frightening dangers of the park as you search for the answers to what these supernatural occurrences mean and why they are happening.

Gameplay Based on Full Player Immersion
Packed full of action and vivid in its realism Alone in t! he Dark goes to the extreme to keep players engaged and im! mersed b y plunging them into the heart of the action in real-time at every turn and challenging them to survive using full movement control. The goal here is to allow players to do or at least feel that they can do more or less whatever is possible in real life, within the game.

Need to avoid a blast of steam or an eruption of fire that has shot up in your path? You can simply side-step it or you can handle the obstacle with a little more panache by using the environment around you, for example by swinging around it using reachable pipes or wires. In another situation you may be challenged by attacking monsters. No problem. You can take the path of least resistance, again by side-stepping them or placing an obstacle between yourself and them, but if you are feeling like taking out a little aggression you can pick up a board, chair, box, etc. and have at it. Nearly anything that you come across that would be usable in real life is usable in game and can be wielded in several diffe! rent ways.

In addition, game developer Eden Studios has done away with a few in-game conventions in favor of real life upgrades. Instead of old-fashioned health bars Alone in the Dark uses realistic body damage and physiological effects to show players how much damage has been done to Carnby by the new dangerous nightlife of Central Park. Basically this means if Carnby has been taking a licking he?s going to be a little bloody. Monsters use sensory perception of all kinds to find their victims, so players need to keep aware of Carnby?s physical state, as well as the impact he has on his surroundings. Also gone are traditional inventory systems that take players out of the game while you switch or check items in your possession, replaced by an in-game inventory system where items are carried in the folds of Carnby?s trench coat. This allows you to stay in the action the whole time. Sticking with the realism theme, the number of items that Carnby can carry is limite! d, but since ingenuity is built into the system, items can be ! combined or their uses altered, mostly with tape, so players can adjust as challenges arise.

TV Style Intensity That Keeps You Hooked
Built around a unique television style episodic narrative game structure, the storyline of Alone in the Dark is split into a number of distinct 30-40 minute episodes, doled out one at a time as you play. This new way to progress through the storyline ensures that players can enjoy the game regardless of the amount of time they have available without ever feeling lost. Each time a saved game is launched, the episode will begin with a video summary of the previous episode to quickly re-immerse the player in the story, removing the need to remember where you were or what you were doing at the end of your last play session. In addition, every episode will also close with a nail-biting, cliff-hanger ending to rattle players? nerves. And when you choose to leave the game, a video teaser of the next episode will play to leave players alw! ays wanting more.

Vivid Photographic Rendering
Even on a bad day, and this will be a bad one, Central Park and New York City are something to see. With Game developer Eden?s proprietary Twilight technology and rendering engine, players can expect to see everything from the City?s famous landmarks to the manifestations of the evil that have been festering in Central Park come to life as if you were there. This lavishly detailed game world takes advantage of highly realistic and advanced cinematographic effects including depth of field, camera focus, numerous light sources, moisture, reflections and High Dynamic Range effects.

Whether it?s the innovative game play, the unique episodic game structure, the advanced physics or the return of a ground-breaking protagonist recast in the modern era, Alone in the Dark holds something for players willing to take on the mysteries and dangers at the heart of Central Park.

PaperMate Pink Pearl Premium Medium Rubber Eraser, 3-Count (70502PP)

• Premium rubber eraser
• Removes pencil mistakes without smearing, staining or abrading
• Soft beveled shape
• Color: PINK
• Brand: Sanford
• Soft and pliable, self-cleaning and gentle on paper

Paper Mate Pink Pearl Eraser

Robert Graham Men's Alamo Sport Shirt, Purple, Large

• Signature fleur de lis designs inside of neckband
• Single button cuffs

Colt Knives - Alamo Bowie Fixed Blade Knife with Crown Stag Handles. Model: CT800. 20 1/4" overall. 14 1/2" stainless bowie blade with commemorative etching. Crown stag handle with brass guard and spine. Inlaid brass star on pommel end. Brown leather belt sheath. Handle length may vary slightly. A new account of World War II heroism from the national bestselling author of Biggest Brother.

Determined to retake the Philippines ever since his ignominious flight from the islands in 1942, General Douglas MacArthur organized a first- rate intelligence-gathering unit. They were called the Alamo Scouts.

Larry Alexander follows the men who made up the elite recon unit that served as General MacArthur's eyes and ears in the Pacific War. Drawing from personal interviews and testimonies from Scou! t veterans, Alexander weaves together the tales of the individual Scouts, who often spent weeks behind enemy lines to complete their missions. Now, more than sixty years after the war, the story of the Alamo Scouts will finally be told.

Perfect with your favorite denim on a casual day. Solid long sleeve washed cotton sport shirt with button tab at upper sleeve allows sleeves to be rolled up. Accented with contrast tape on front tab of inside neckband and cuffs.

The Adventures of Buckaroo Banzai : Across the Eighth Dimension

• ISBN13: 9780743442480
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"I speak Spanish to God, French to women, English to men, and Japanese to my horse."

-- Buckaroo Banzai

Buckaroo Banzai. A strange, elusive figure, his name whispered in barrooms and boardrooms, his advice sought by pashas and presidents, his exploits recounted in movies, novels, and comic books that seem somehow more real than life itself.

Buckaroo Banzai. First and foremost an extraordinary brain surgeon. In his spare time designer and driver of the electrifying Jet Car, a speed machine faster than sound! Buckaroo Banzai. A happy man whose life has been marked by great tragedy, who speaks a dozen languages and writes songs in all of them. His musical sidekic! ks the Hong Kong Cavaliersó Rawhide, Reno, the Swede, Perfect Tommy, Flyboy, Big Norse, Pecosóare one of the toughest, most popular hard-rocking bar bands in east Texas.

Join Team Banzai on their two-fisted, action-packed assault against the evil red Lectroids from Planet 10! Experience the horrors of the Shock Tower and the Pitt deep within the walls of Yoyodyne Propulsion Systems as Buckaroo Banzai fights against impossible odds to rescue Penny Priddy from the clutches of Dr. Emilio Lizardo, the diabolically alien dictator. Pray that Buckaroo will succeed, knowing only too well that if he fails the Earth itself will be blown to dust!

For the first time in nearly twenty years, Pocket Books is proud to present The Adventures of Buckaroo Banzai. This special edition features a new introduction by the author and a color insert featuring photos and illustration seen here for the very first time!

No matter where you go, there you are.

District 9 [Blu-ray]

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; DTS Surround Sound; Subtitled; Widescreen

From producer Peter Jackson (The Lord of the Rings Trilogy) and director Neill Blomkamp comes a startlingly original science fiction thriller that "soars on the imagination of its creators" (Peter Travers, Rolling Stone). With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet.A provocative science fiction drama, District 9 boasts an original story that gets a little lost in blow-'em-up mayhem. Set in Johannesbur! g, South Africa, District 9 begins as a mock documentary about the imminent eviction of extraterrestrials from a pathetic shantytown (called District 9). The creatures, it turns out, have been on Earth for years, having arrived sickly and starving. Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With the creatures' care contracted out to a for-profit corporation, the shantytown has become a violent slum. The aliens sift through massive piles of junk while their minders secretly research weapons technology that arrived on the visitors' spacecraft.

Against this backdrop is a more personal story about a bureaucrat named Wikus (Sharlto Copley) who is accidentally exposed to a DNA-altering substance. As he begins metamorphosing into one of the creatures, Wikus goes on the run from scientists who want to harvest his evolving, new parts and alie! ns who see him as a threat. When he pairs up with an extraterr! estrial secretly planning an escape from Earth, however, what should be a fascinating relationship story becomes a series of firefights and explosions. Nuance is lost to numbing violence, and the more interesting potential of the film is obscured. Yet, for a while District 9 is a powerful movie with a unique tale to tell. Seamless special effects alone are worth seeing: the (often brutal) exchanges between alien and human are breathtaking. --Tom Keogh



District 9 downloadables (Click for pdf file)

From producer Peter Jackson (The Lord of the Rings Trilogy) and director Neill Blomkamp comes a startlingly original science fiction thriller that "soars on the imagination of its creators" (Peter Travers, Rolling Stone). With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet.A provocative science fiction drama, District 9 boasts an original story that gets a little lost in blow-'em-up mayhem. Set in Johannesburg, South Africa, District 9 begins as a mock documentary about the imminent eviction of ! extrater restrials from a pathetic shantytown (called District 9). The creatures, it turns out, have been on Earth for years, having arrived sickly and starving. Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With the creatures' care contracted out to a for-profit corporation, the shantytown has become a violent slum. The aliens sift through massive piles of junk while their minders secretly research weapons technology that arrived on the visitors' spacecraft.

Against this backdrop is a more personal story about a bureaucrat named Wikus (Sharlto Copley) who is accidentally exposed to a DNA-altering substance. As he begins metamorphosing into one of the creatures, Wikus goes on the run from scientists who want to harvest his evolving, new parts and aliens who see him as a threat. When he pairs up with an extraterrestrial secretly planning an escape from E! arth, however, what should be a fascinating relationship story becomes a series of firefights and explosions. Nuance is lost to numbing violence, and the more interesting potential of the film is obscured. Yet, for a while District 9 is a powerful movie with a unique tale to tell. Seamless special effects alone are worth seeing: the (often brutal) exchanges between alien and human are breathtaking. --Tom Keogh



District 9 downloadables (Click for pdf file)

Nikon HB-34 Lens Hood for 55-200mm DX Nikkor Lens

• Lens hood, Designed for the Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor zoom lens
• Deflects oblique light angles that often cause flare effects
• Helps protect front of the lens scratches and dings while shooting

Andie MacDowell (FOUR WEDDINGS AND A FUNERAL) stars in the compelling story of one woman's determination to find her husband Harrison (David Strathairn, L.A. CONFIDENTIAL), a Pulitzer Prize-winning photojournalist. He is reported as missing while on a dangerous assignment covering a war in a foreign country. When Harrison is presumed dead by his colleagues and editor, only Sarah believes that he is still alive. Driven by intense passion she courageously plunges into a land ravaged by war, risking her own life as she engages in a relentless search to find him.An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cos! t of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerAn implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie Ma! cDowell stars as Sarah Lloyd, the wife of a photojournalist r! eported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerAn implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 c! ivil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret Fetzer

Learn how to paint flowers the Terry Harrison way. Using simple techniques and clear step-by-step photographs he shows how to add vibrant colour and life to peaceful landscapes, sunlit courtyards and woodland scenes. Soon you will b! e painting roses, bluebells, poppies, daisies, foxgloves and m! ore.

For 55-200mm Zoom Nikkor Lens, Lens hood Designed for the Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor zoom lens Deflects oblique light angles that often cause flare effects Helps protect front of the lens scratches and dings while shooting

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Legend of the Guardians: The Owls of Ga'hoole

• LEGEND OF THE GUARDIANS:THE OWLS OF GA (DVD MOVIE)

Come along on the ultimate road-trip adventure that will leave the whole family howling with laughter! When Kate, a take-charge “Alpha” wolf, and Humphrey, a laid-back “Omega” wolf, get snatched by park rangers and relocated halfway across the country, the two must set off on an incredible journey home! With the help of a goofy golfing goose and his quacky duck caddy, Kate and Humphrey won’t let anything stop them â€" prickly porcupines, grumpy bears, even a speeding locomotive â€" from getting back to Jasper Park in time to help save their pack from rival wolves! And along the way, Kate and Humphrey learn that even though they are complete opposites, they make a pretty good team! It’s a thousand miles of fun in this wildly entertaining journey the whole pack can enjoy together!Love is blind to the rules of tradition, opposites at! tract, and both clichés apply quite nicely to the wolves in Alpha and Omega. In the wolf world, the pack values the omega wolves' skill of defusing tense situations with humor just as much as they value the keen leadership skills of the alpha wolves, but tradition dictates that alpha wolves don't mate with omega wolves. So, when the all-business alpha wolf Kate (Hayden Panettiere) and the fun-seeking omega wolf Humphrey (Justin Long) find themselves attracted to one another, the pair resign themselves to a life apart, and Kate agrees to a match with alpha male Garth (Chris Carmack) from a rival pack in order to peacefully merge the two packs into one. But when Humphrey and Kate are tranquilized in their home in Jasper National Forest, Canada, and relocated to Sawtooth Forest far away in Idaho, the two discover that not only can opposites work very well together, but that neither of them can continue to ignore their attraction for the other. The question is, will w! orking together, combined with a little help from a golf-playi! ng goose and his duck caddy, be enough to get the pair all the way back to Jasper National Park before the rival wolf packs tear one another apart at the next full moon? And what will become of their relationship if they do return in time? This animated film is amusing and entertaining, if not particularly outstanding. A lot of the humor is pretty corny and the plot has been done many times before (think Open Season 2), but the characters are likable, the action is pretty good, and who can resist chuckling at images like a retired, golf-playing French-Canadian goose or the distractive powers of a good cupcake? (Ages 5 and older) --Tami HoriuchiCome along on the ultimate road-trip adventure that will leave the whole family howling with laughter! When Kate, a take-charge “Alpha” wolf, and Humphrey, a laid-back “Omega” wolf, get snatched by park rangers and relocated halfway across the country, the two must set off on an incredible journey home! With the help ! of a goofy golfing goose and his quacky duck caddy, Kate and Humphrey won’t let anything stop them â€" prickly porcupines, grumpy bears, even a speeding locomotive â€" from getting back to Jasper Park in time to help save their pack from rival wolves! And along the way, Kate and Humphrey learn that even though they are complete opposites, they make a pretty good team! It’s a thousand miles of fun in this wildly entertaining journey the whole pack can enjoy together!Love is blind to the rules of tradition, opposites attract, and both clichés apply quite nicely to the wolves in Alpha and Omega. In the wolf world, the pack values the omega wolves' skill of defusing tense situations with humor just as much as they value the keen leadership skills of the alpha wolves, but tradition dictates that alpha wolves don't mate with omega wolves. So, when the all-business alpha wolf Kate (Hayden Panettiere) and the fun-seeking omega wolf Humphrey (Justin Long) find themselves! attracted to one another, the pair resign themselves to a lif! e apart, and Kate agrees to a match with alpha male Garth (Chris Carmack) from a rival pack in order to peacefully merge the two packs into one. But when Humphrey and Kate are tranquilized in their home in Jasper National Forest, Canada, and relocated to Sawtooth Forest far away in Idaho, the two discover that not only can opposites work very well together, but that neither of them can continue to ignore their attraction for the other. The question is, will working together, combined with a little help from a golf-playing goose and his duck caddy, be enough to get the pair all the way back to Jasper National Park before the rival wolf packs tear one another apart at the next full moon? And what will become of their relationship if they do return in time? This animated 3-D film is amusing and entertaining, if not particularly outstanding. A lot of the humor is pretty corny and the plot has been done many times before (think Open Season 2), but the characters are likable, the a! ction is pretty good, and who can resist chuckling at images like a retired, golf-playing French-Canadian goose or the distractive powers of a good cupcake? (Ages 5 and older) --Tami HoriuchiTwo young wolves at opposite ends of their pack's social order are thrown together into a foreign land and need each other to return home, but love complicates everything. Directors: Anthony Bell, Ben Gluck Writers: Chris Denk (screenplay), Ben Gluck (story), and 1 more credit » Stars: Hayden Panettiere, Christina Ricci and Justin Long

Patricia Briggs, the #1 New York Times bestselling author of the Mercy Thompson novels, "always enchants her readers." (Lynn Viehl, New York Times bestselling author) Now her Alpha and Omega series-set in a world of shifting shapes, loyalty, and passion- brings werewolves out of the darkness and into a society where fear and prejudice could make the hunters prey...

They say opposites attract. And in the case of werewolves Anna Latham and Charles Cornick, they mate. The son-and enforcer-of the leader of the North American werewolves, Charles is a dominant alpha. While Anna, an omega, has the rare ability to calm others of her kind.

Now that the werewolves have revealed themselves to humans, they can't afford any bad publicity. Infractions that could have been overlooked in the past must now be punished, and the strain of doing his father's dirty work is taking a toll on Charles.

Nevertheless, Charles and Anna are sent to Boston, when the FBI requests the pack's help on a local serial killer case. They quickly realize that not only the last two victims were werewolves-all of them were. Someone is targeting their kind. And now Anna and Charles have put themselves right in the killer's sights...

Acclaimed filmmaker Zack Snyder (300, Watchmen) makes his animation debut with this fantasy adventure based on the beloved books by Kathryn Lasky. Young owl Soren marvels at his father's epic stories of the Guardians of Ga'Hoole, mythic winged warriors who fought a great battle to save all owl kind from the evil Pure Ones. When he and brother Kludd fall from their treetop home and into the talons of the Pure Ones, it's up to Soren to make a daring escape with the help of other brave owls. Together they seek the Great Tree, home of the Guardians--the only hope of defeating the Pure Ones and saving the owl kingdoms. The stellar voice cast includes Abb! ie Cornish, Miriam Margolyes, Helen Mirren, Sam Neill, Geoffre! y Rush, Jim Sturgess and Hugo Weaving.Legend of the Guardians: The Owls of Ga'Hoole, 300 director Zack Snyder's debut animated feature, is based on Kathryn Lasky's juvenile novel series Guardians of Ga'Hoole. Soren (voice by Jim Sturgess), a young owl, has grown up listening to his father's stories about the Guardians, a legendary band of heroes who fought to keep owldom free. But when he and his jealous older brother Kludd (Ryan Kwanten) are kidnapped, Soren learns the evil Pure Ones are once again plotting to enslave owlkind. Escaping from their clutches, he and a typically mismatched group of friends set out to find the Guardians, the only owls capable of defeating the Pure Ones. The first feature from the Animal Logic studio since the Oscar-winning Happy Feet, Legend of the Guardians quickly degenerates into an unsatisfying muddle of elements borrowed from Star Wars, The Lord of the Rings, and The Lion King. The storytelling borde! rs on the inept: The Pure Ones are using bats to create some sort of blue electricity that paralyzes owls, but no one ever explains what it is, how it works, or why the bats created it. The first battle between the Pure Ones and Guardians is presented as an ancient myth, yet many of the participants are still alive. Soren and his friends look up at the stars to navigate their way to the Guardians' island, but when the camera pans down to them flying, the sky is the blue of a summer afternoon. The vocal cast includes Helen Mirren, Miriam Margolyes, and Geoffrey Rush, who somehow manage to read hokey lines like "listen to your gizzard" without snickering. Despite Snyder's elaborate use of swooping 3-D pan shots to energize the visuals, the film feels achingly slow at 91 minutes. Too scary for small children and too clichéd for their older siblings and parents, Legend of the Guardians ranks among 2010's most disappointing animated films. (Rated PG, but suitable for age! s 9 and older: considerable violence and grotesque imagery) --Charl es Solomon

The Hottest State: A Novel

• ISBN13: 9780316540834
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

This title follows the story of young William Harding, who unexpectedly finds himself falling for Sarah and, in three short months, feels the joy of first love and the heartache left behind when it ends.Yes, it's "that" Ethan Hawke. Ethan Hawke the actor. In this slim debut novel, he tells a coming-of-age tale of a fairly unpleasant young actor from Texas named William who lives in Manhattan and is working his way through an ugly little relationship with a singer/songwriter named Sarah. William's parents married young and split up early and he's not too happy with the world at large. Sarah can't quite make heads or tails of her mother. The pair has sex in the bathroom and talks quite a bit about ! their relationship. It all has a certain ring of truth, but at this point it's probably safe to say that Hawke's movie agent will probably make a better living off the young actor/writer than Hawke's literary agent.

Good Night, and Good Luck (Widescreen Edition)

• "Good Night, And, Good Luck" takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Jo

"Good Night, And, Good Luck." takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scar! emongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental.

DVD Features:
Audio Commentary:with George Clooney and Grant Heslov
Documentary:Good Night, and Good Luck companion piece
Theatrical Trailer

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow,

Director George Clooney

who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen. Joseph McCarthy in 1953-54, and emerged as a triumphant truth-seeker against the abuses of corporate and governmental power.

David Strathairn as Edward R. Murrow

As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of rep! risals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff Shannon

Learn More About Edward R. Murrow and Broadcast Journalism

George Clooney's Recommended Reading

G! eorge Clooney's Recommended Movies

The Edward R. Murrow Collection