Mans Question Gods Answer (Updated)

• ISBN13: 9780883686669
• Condition: New
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What was in the briefcase in Pulp Fiction? Why don't movie actors wear seat belts? Was Fargo really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.What was in the briefcase in PULP FICTION? Why don't movie actors wear seat belts? Was FARGO really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions abou! t the moviesand some of the most bizarre.What was in the briefcase in PULP FICTION? Why don't movie actors wear seat belts? Was FARGO really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.When she made that late-night call, Molly Duncan thought she was phoning her handsome neighbor. Then the sound of gunfire plunged her into a world filled with danger . . . and she found herself in need of a twenty-four-hour bodyguard.

For Sam Henderson, being woken up by the police to make sure he hadn't been shot was not his idea of a relaxing evening. But when he realized that the gorgeous woman next door was in real danger, he had no choice but to devote his days -- and his nights -- to keeping her safe . . .Filled with discussions on more than 200 topics and issues that separate us from the ! perfect will of God, Man's Question, God's Answer is not just ! a book f or counsellors. It is also a vital and powerful tool for personal evangelism. LuAnn Bransby has designed this book to reveal the consequences of sin as well as the blessings of God to those who overcome. Its easy-to-use format will help you take control over your life and circumstances, and help others who face similar problems and issues. If you are searching for the right answer to a difficult situation or sinful behavior, this is the book to read!

Cold Creek Manor

• Finally putting an end to their days as slaves to the hustle-and-bustle of city life, Gothamites Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), pack up their kids and all their possessions and move into a recently repossessed mansion in the sticks of New York State. Once grand and elegant, the Cold Creek Manor is now a shambles, but Cooper and Leah have plenty of time to renovate.

COLD CREEK MANOR is a heart-pounding thriller that will keep you on the edge of your seat in tension-filled suspense. Wanting to escape city life for the saner, safer countryside, New Yorkers Cooper Tilson (Dennis Quaid), his wife Leah (1995 Golden Globe winner Sharon Stone, Best Actress, CASINO), and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owne! r (Stephen Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past.Turn off your brain and Cold Creek Manor just might turn into an entertaining thriller. Taking an uncharacteristic detour into nonsensical plot mechanics, director Mike Figgis expertly pushes buttons with this nerve-jangling but ultimately hackneyed story (by Richard Jeffries) about a documentary filmmaker (Dennis Quaid) who moves his wife (Sharon Stone) and two kids into a run-down rural mansion once owned by the family of a simmering ex-convict (Stephen Dorff), who's got secret reasons for wanting Quaid's family to leave. This rote potboiler wants to be as thrilling as Fatal Attraction, but it's more like Pacific Heights--fun to watch as the tension escalates with Dorff's violent behavior, but seriously flawed as plot holes proliferate. With a few good shocks and slinky support from Juliette Lewis, it's pe! rfectly enjoyable as a popcorn distraction, but maybe they sho! uld've c alled it Cold Creaky Manor instead. --Jeff Shannon

One Flew Over the Cuckoo's Nest: (Great Books edition) (Penguin Great Books of the 20th Century)

• ISBN13: 9780140283341
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

These deluxe editions are packaged with French flaps, acid-free paper, and rough front.

"A glittering parable of good and evil . . . a work of genuine literary merit."--The New York Times

Other Penguin Great Books of the 20th Century:

The Grapes of Wrath by John Steinbeck
Heart of Darkness by Joseph Conrad
Love in the Time of Cholera by Gabriel Garcia Marquez
The Adventures of Augie March by Saul Bellow
The Age of Innocence by Edith Wharton
A Portrait of the Artist as a Young Man by James Joyce
Swann's Way by Marcel Proust
My Antonia by Willa Cather
On the Road by Jack Kerouac
White Noise by Don DeLillo

Che Part One

• blockbuster exculsive

Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero, Che paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Che's failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a sti! rring account of guerrilla action (it also has the bonus of De! mian Bec hir's uncanny impersonation of Fidel Castro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in! which he's being turned into a celebrity during his NYC interlude. In short, Che is a very intriguing idea for a movie, and not a terribly engaging film. --Robert HortonREVISED AND UPDATED THROUGHOUT

Jon Lee Anderson's definitive and acclaimed biography of Che Guevara manages to transcend the myth of Che and portray in unrivaled detail a complicated human being. In his quest to discover who the real Che was, Anderson moved to Havana and gained unprecedented access to the personal archives maintained by Che's widow. He spent months with Che's old friends in Argentina, where Che was born into an aristocratic family and went to medical school. He interviewed Che's comrades from battles fought in Cuba and the Congo and Bolivia, and he talked to figures on both sides of the Cold War, in Moscow and in the CIA.

The book completes the epic saga of an extraordinary life. In 1995, Anderson broke the story of how Che's body had been secretly hidden after his! assassination in Bolivia in 1967. He recounts how the body wa! s finall y recovered, thirty years after the murder, brought back to Cuba, and interred in the place Che had won his most famous battle in the Cuban revolution. Meticulously researched, Anderson's book reveals many details of Che's life that were long cloaked in secrecy and intrigue. This edition, which has been carefully revised and updated, has a new introduction and epilogue, new maps, and a new chronology of Che's life.Even to those without Marxist sympathies, Che Guevara (1928-67) was a dashing, charismatic figure: the asthmatic son of an aristocratic Argentine family whose sympathy for the world's oppressed turned him into a socialist revolutionary, the valued comrade-in-arms of Cuba's Fidel Castro and a leader of guerilla warfare in Latin America and Africa. Journalist Jon Lee Anderson's lengthy and absorbing portrait captures the complexities of international politics (revolutionary and counter); his painstaking research has unearthed a remarkable amount of new materi! al, including information about Guevara's death at the hands of the Bolivian military.Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero,CHE paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Ches failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a stirring account of guerrilla action (it also has the bonus of Demian Bechir's uncanny impersonation of Fidel Cas! tro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in which he's being turned into a celebri! ty during his NYC interlude. In short, Che is a very in! triguing idea for a movie, and not a terribly engaging film. --Robert Hortonbenicio de toro

Hotel California

• Eagles - Hotel California Brazil Import

Import pressing of their 1976 album Hotel California. Vinyl replica CD comes housed in a slipcase. Rhino UK. 2006.It's no accident that The Eagles Greatest Hits might one day pass Michael Jackson's Thriller as the best-selling album of all time-- the Eagles made great singles. By contrast, their albums could be spotty and strained by self-conscious artistry. Hotel California was arguably the band's best single album--it was certainly the Eagles' biggest original disc-- and it also underscored the band's need to make a big statement. The title tune reflected the album's theme of paradise lost in California, painting this picture with a musical arrangement that punctuated strumming guitars with dramatic drums, and perhaps the band's most famous lyric: "You can check out any time you like, but you can never leave." "New! Kid in Town" was an equally fine albeit much more traditional Eagles ballad. "Life in the Fast Lane" aspired to hard rock but largely gunned its engine without taking off. The rest is okay, but nothing more than secondary Eagles songs that happened to be nestled into the album that came to define the `70s supergroup. --John Milward

Get Rich Or Die Tryin

• 50 Cent - Get Rich Or Die Tr Brazil Import

Marcus (50 Cent) has always known he was going to be a rapper. But when his mother is murdered, young Marcus turns to dealing drugs for New York crime boss Majestic to pay the bills. As dealing turns to gang banging, however, Marcus finds his life spinning out of control, eventually landing in prison. While there, he decides to quit hustling and dedicate himself to his music…but by turning his back on Majestic, he may have signed his own death warrant. Terrence Howard co-stars in this hard-hitting story based on 50 Cent’s transformation from gangster to rapper, an unforgettable ride from tragic beginning to triumphant end.In Get Rich or Die Tryin', rapper Curtis "50 Cent" Jackson presents himself as a rap superhero, encased in muscular flesh like armor, his face impassive as a mask, reaching out to destroy his enemies with his unique talen! t. The plot, though based on Jackson's life, is standard--a gangster breaks from his youthful life of crime to triumph as a rapper--but there's vitality in the details: Jackson's girlfriend helps him pull free the wires holding his jaw shut when he's recovered from being shot in the face; a startling, brutal fight by naked men in a prison shower. Jackson even has his comic-book moment of transformation when a razor blade is thrown into his cell, encouraging him to kill himself; instead, he uses it to carve his rhymes into the walls. Unfortunately, as an actor Jackson only has two sides, gangster hard or oddly childlike and vulnerable. This second aspect falls away from the movie as Jackson assumes power, leaving only the cold, impassive face of a tough guy. That's the fate of superheroes too--they become the mask they present to the world, which is both their dream and their fate. Terrence Howard (Crash, Hustle & Flow) livens things up as a volatile prison fri! end. Also featuring Bill Duke (Predator) as a raspy gan! glord an d Joy Bryant (Honey) as Jackson's girlfriend. Capably directed by Jim Sheridan (My Left Foot, In America). --Bret FetzerMarcus (50 Cent) has always known he was going to be a rapper. But when his mother is murdered, young Marcus turns to dealing drugs for New York crime boss Majestic to pay the bills. As dealing turns to gang banging, however, Marcus finds his life spinning out of control, eventually landing in prison. While there, he decides to quit hustling and dedicate himself to his music…but by turning his back on Majestic, he may have signed his own death warrant. Terrence Howard co-stars in this hard-hitting story based on 50 Cent’s transformation from gangster to rapper, an unforgettable ride from tragic beginning to triumphant end.In Get Rich or Die Tryin', rapper Curtis "50 Cent" Jackson presents himself as a rap superhero, encased in muscular flesh like armor, his face impassive as a mask, reaching out to destroy his enemies ! with his unique talent. The plot, though based on Jackson's life, is standard--a gangster breaks from his youthful life of crime to triumph as a rapper--but there's vitality in the details: Jackson's girlfriend helps him pull free the wires holding his jaw shut when he's recovered from being shot in the face; a startling, brutal fight by naked men in a prison shower. Jackson even has his comic-book moment of transformation when a razor blade is thrown into his cell, encouraging him to kill himself; instead, he uses it to carve his rhymes into the walls. Unfortunately, as an actor Jackson only has two sides, gangster hard or oddly childlike and vulnerable. This second aspect falls away from the movie as Jackson assumes power, leaving only the cold, impassive face of a tough guy. That's the fate of superheroes too--they become the mask they present to the world, which is both their dream and their fate. Terrence Howard (Crash, Hustle & Flow) livens things up as ! a volatile prison friend. Also featuring Bill Duke (Predato! r) a s a raspy ganglord and Joy Bryant (Honey) as Jackson's girlfriend. Capably directed by Jim Sheridan (My Left Foot, In America). --Bret FetzerAustralian pressing (identical to U.S.) of his smash hit 2003 album features three hidden bonus tracks, 'Wanksta' (from his currently unavailable album, 'No Mercy, No Fear'), 'U Not Like Me' (from his 'Guess Who's Back?' album) & 'Life's On The Line' (from his deleted EP, 'Power Of The Dollar'). Universal. He’s been shot nine times. Incarcerated. And stabbed up and down. And that’s only what’s happened on 50 Cent’s down time. Hands down, 50 Cent is the biggest buzz emcee since Eminem (who just happens to be his label CEO), and Get Rich also features Dr. Dre on production, so it’s a can’t-miss record, right? Well, mostly. Get Rich is not filled with midtempo, radio-friendly numbers like "Wanksta," his thinly veiled Ja Rule dis first heard on the 8 Mile soundtrack. Instea! d, Cent brings the heat, not heater. He sheds his inner thug on "21 Questions," featuring G-funk crooner Nate Dogg showing some semblance of respect to the hotties, and then reverts right back to his thug persona on "In da Club," where he boasts "I’m into having sex, I ain’t into making love." There’s no "How to Rob, Pt. 2" here, although "Many Men" comes close, as he addresses some of the haters who may not fully get why he’s now rap’s big cheese. Surprisingly, the two Eminem-produced joints--"Patiently Waiting" (which thematically is very much like Em’s "Lose Yourself"), and "Don’t Push Me"--almost rival the beats supplied by Dre. Then again, it seems his most well-known cuts ("High All the Time" and "Wanksta," for example) are actually some of the weakest of the lot. Sure, Get Rich could never have lived up to the hype, it’s nowhere near Biggie's Ready to Die or Nas's Illmatic, but there's no fast-forward material here, a near miracle! in these times. --Dalton Higgins

Garfield Fat Cat Volume 1

• ISBN13: 9780345464552
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Witty, urbane, sassy, and downright delightful, here are the first three original books of pure Garfield collected in one packed volume. They tell the story of the feisty feline's birth, adoption, and growth into general wonderfulness---just in case you've forgotten --and remind us why we loved him like we do.