Sunday, April 22, 2012

Centurion

  • AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbender), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus (West) legendary Nin
AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in the face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbinder), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus' (West) legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorla! con. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines. Enduring the harsh terrain and evading their remorseless Pict pursuers led by the revenge hungry Pict Warrior Etain (Kurylenko), the band of soldiers race to rescue their General and to reach the safety of the Roman frontier.Centurion isn't just a rousing adventure, but a return to form for The Descent director Neil Marshall after the disappointing Doomsday. Irish actor Michael Fassbender (Inglourious Basterds) plays Quintus Dias, a Roman soldier attempting to defend the Empire against Northern England's indigenous Pict population, when they take him captive. Once General Virilus (The Wire's Dominic West), who inspires fierce devotion in his men, gets wind of the skirmish, he sets out to vanquish opposition leader Gorlacon (Ulrich Thomsen) with the aid of Etain (Quan! tum of Solace's Olga Kurylenko), a mute tracker. Though hi! s Ninth Legion, which includes Bothos (David Morrissey) and Brick (Liam Cunningham, Fassbender's Hunger costar), tracks down Quintus, the Picts slaughter most other comrades and seize Virilus, shifting the battle for conquest into a struggle for survival, a Marshall specialty since Dog Soldiers. Only Arianne (Solitary Man's Imogen Poots), a medicine woman who treats Bothos's wounds, arrives as a light in the darkness, holding out the promise of romance should Quintus make it out of Pict territory alive. Though Centurion isn't a world away from historical epics like Braveheart and Gladiator--and succumbs to some of the same genre clichés--Marshall conjures up more of a Western feel with the Romans standing in for cowboys and the Picts for Indians. There's carnage aplenty, but also stunning Highland vistas in shades of emerald and teal. And though Fassbender is a fine actor, West and Kurylenko end up stealing the show by virtue of their more ! dynamic performances. --Kathleen C. Fennessy

Saturday, March 31, 2012

Giuliani Time

Saturday, March 17, 2012

Carriers

Tuesday, March 6, 2012

Tommy Bahama Palm Cove Tee Shirt (Color: Sun Bleach, Size L)

Saturday, January 28, 2012

American Gun

Thursday, January 19, 2012

Freakonomics: A Rogue Economist Explores the Hidden Side of Everything (P.S.)

  • Freakonomics
  • Economist
  • Everything

Which is more dangerous, a gun or a swimming pool?

What do schoolteachers and sumo wrestlers have in common?

How much do parents really matter?

These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He studies the riddles of everyday lifeâ€"from cheating and crime to parenting and sportsâ€"and reaches conclusions that turn conventional wisdom on its head.

Freakonomics is a groundbreaking collaboration between Levitt and Stephen J. Dubner, an award-winning author and journalist. They set out to explore the inner workings of a crack gang, the truth about real estate agents, the secrets of the Ku Klux Klan, and much more.

Through forceful storytelling and wry insight, they show that economics is, at root, th! e study of incentivesâ€"how people get what they want or need, especially when other people want or need the same thing.

Economics is not widely considered to be one of the sexier sciences. The annual Nobel Prize winner in that field never receives as much publicity as his or her compatriots in peace, literature, or physics. But if such slights are based on the notion that economics is dull, or that economists are concerned only with finance itself, Steven D. Levitt will change some minds. In Freakonomics (written with Stephen J. Dubner), Levitt argues that many apparent mysteries of everyday life don't need to be so mysterious: they could be illuminated and made even more fascinating by asking the right questions and drawing connections. For example, Levitt traces the drop in violent crime rates to a drop in violent criminals and, digging further, to the Roe v. Wade decision that preempted the existence of some people who would be born to poverty and hardship. El! sewhere, by analyzing data gathered from inner-city Chicago dr! ug-deali ng gangs, Levitt outlines a corporate structure much like McDonald's, where the top bosses make great money while scores of underlings make something below minimum wage. And in a section that may alarm or relieve worried parents, Levitt argues that parenting methods don't really matter much and that a backyard swimming pool is much more dangerous than a gun. These enlightening chapters are separated by effusive passages from Dubner's 2003 profile of Levitt in The New York Times Magazine, which led to the book being written. In a book filled with bold logic, such back-patting veers Freakonomics, however briefly, away from what Levitt actually has to say. Although maybe there's a good economic reason for that too, and we're just not getting it yet. --John Moe

2002 Legend of Blue Eyes White Dragon Unlimited LOB-83 Meda Bat

Wednesday, January 18, 2012

How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

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HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow To Lose Friends & Alienate People is directed by Robert Weide (Curb Your Enthusiasm), produced by Stephen Woolley (The Crying Game) and Elizabeth Karlsen. Based on the bestselling memoir by Toby Young and screenplay by Peter Straughan. The soundtrack features Joey Ramone, Duffy, Motorhead, The Bees, Dusty Springfield, Nino Rota, Electrovamp, Guillemots, Leona Naess, The Kinks, Scissor Sisters, The Killers, Robyn and David Arnold. The cast is led by Simon Pegg (Shaun of the Dead), Kirsten Dunst (Spider-Man), Danny Huston (The Constant Gardener, ), Gillian Anderson (The X-Files), Megan Fox (Transformers), Max Minghella (Hippie Hippie Shake) and Jeff Bridges (The Big Lebowski)."How to Lose Friends and Alienate People" ! is a bare-faced satire on the worldwide bestseller book, Dale Carnegie's How to Win Friends and Influence People. It is also a self-help book, but it tackles the issue from the other side. Irving always considered that Dale Carnegie was all wrong when he encouraged people to smile and be optimistic. His philosophy is totally different. For Irving, great life achievements can be made by those who live negatively. In this book you will find advice on how to lose friends and make people hate you so that you will be more productive and successful in your life. This is a self-help book that you have never and will never read something similar to. It is the only book that has ever been written to help people dissolve their human relationships in favor of having a better life! According to Irving, some of us are born with ability to make others peeved, but most of us aren't. We flounder about making empty, vapid, pleasing remarks and before we know it we have another “frie! nd” and have invited him to lunch “someday”. The trouble! with mo st of us is that we don't talk enough. We let the other person get in his views and opinions and permit him to think we are interested in what he has to say. As a result we have “friends” who “drop in to say hello”, corner us on streets to point out what we already know about the weather, invite us to boring dinners, arrange stupid theater parties, and in general ignore the fact that most of us are non-gregarious. Tressler has made a living by teaching people how to talk and tell others what they are thinking. That is every man's troubleâ€"he never says what he thinks when he thinks it. Tressler helped people overcome this through his courses. He has developed a course that is one of the significant movements in U. S. social history, a course that's as real as halitosis and even more lasting in its results. How to Lose Friends and Alienate People was written for those who were unable to attend his course. It is aimed at the millions who don't know how to avoid ! being bored daily in office and home, on street and at table by people who are just plain dull!"How to Lose Friends and Alienate People" is a bare-faced satire on the worldwide bestseller book, Dale Carnegie's How to Win Friends and Influence People. It is also a self-help book, but it tackles the issue from the other side. Irving always considered that Dale Carnegie was all wrong when he encouraged people to smile and be optimistic. His philosophy is totally different. For Irving, great life achievements can be made by those who live negatively. In this book you will find advice on how to lose friends and make people hate you so that you will be more productive and successful in your life. This is a self-help book that you have never and will never read something similar to. It is the only book that has ever been written to help people dissolve their human relationships in favor of having a better life! According to Irving, some of us are born with ability to make others p! eeved, but most of us aren't. We flounder about making empty, ! vapid, p leasing remarks and before we know it we have another “friend” and have invited him to lunch “someday”. The trouble with most of us is that we don't talk enough. We let the other person get in his views and opinions and permit him to think we are interested in what he has to say. As a result we have “friends” who “drop in to say hello”, corner us on streets to point out what we already know about the weather, invite us to boring dinners, arrange stupid theater parties, and in general ignore the fact that most of us are non-gregarious. Tressler has made a living by teaching people how to talk and tell others what they are thinking. That is every man's troubleâ€"he never says what he thinks when he thinks it. Tressler helped people overcome this through his courses. He has developed a course that is one of the significant movements in U. S. social history, a course that's as real as halitosis and even more lasting in its results. How to Lose Friends and Alienat! e People was written for those who were unable to attend his course. It is aimed at the millions who don't know how to avoid being bored daily in office and home, on street and at table by people who are just plain dull!"How to Lose Friends and Alienate People" is a bare-faced satire on the worldwide bestseller book, Dale Carnegie's How to Win Friends and Influence People. It is also a self-help book, but it tackles the issue from the other side. Irving always considered that Dale Carnegie was all wrong when he encouraged people to smile and be optimistic. His philosophy is totally different. For Irving, great life achievements can be made by those who live negatively. In this book you will find advice on how to lose friends and make people hate you so that you will be more productive and successful in your life. This is a self-help book that you have never and will never read something similar to. It is the only book that has ever been written to help people dissolve their! human relationships in favor of having a better life! Accordi! ng to Ir ving, some of us are born with ability to make others peeved, but most of us aren't. We flounder about making empty, vapid, pleasing remarks and before we know it we have another “friend” and have invited him to lunch “someday”. The trouble with most of us is that we don't talk enough. We let the other person get in his views and opinions and permit him to think we are interested in what he has to say. As a result we have “friends” who “drop in to say hello”, corner us on streets to point out what we already know about the weather, invite us to boring dinners, arrange stupid theater parties, and in general ignore the fact that most of us are non-gregarious. Tressler has made a living by teaching people how to talk and tell others what they are thinking. That is every man's troubleâ€"he never says what he thinks when he thinks it. Tressler helped people overcome this through his courses. He has developed a course that is one of the significant movements in U. ! S. social history, a course that's as real as halitosis and even more lasting in its results. How to Lose Friends and Alienate People was written for those who were unable to attend his course. It is aimed at the millions who don't know how to avoid being bored daily in office and home, on street and at table by people who are just plain dull!UK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray players. The main feature is viewable on all players however.How to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Wester! n world, tilting at nonexistent windmills. His character calls! to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic ti! ming, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyBrand New Product

Head in the Clouds

American Gun

One Flew Over the Cuckoo's Nest: (Great Books edition) (Penguin Great Books of the 20th Century)

Tuesday, January 17, 2012

The Voyage of La Amistad: A Quest for Freedom

  • On the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international law. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on
An epic journey of one mans fight for his life and his freedom. This story of courage and determination is presented by a director whose vision goes to the heart of the story and the soul of its characters. Once again steven spielberg has created a film event that will never be forgotten. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Morgan Freeman Djimon Hounsou Run time: 155 minutes Rating: R Director: Steven SpielbergSteven Spielberg's most simplistic, sanitized history les! son, Amistad, explores the symbolic 1840s trials of 53 West Africans following their bloody rebellion aboard a slave ship. For most of Schindler's List (and, later, Saving Private Ryan) Spielberg restrains himself from the sweeping narrative and technical flourishes that make him one of our most entertaining and manipulative directors. Here, he doesn't even bother trying, succumbing to his driving need to entertain with beautiful images and contrived emotion. He cheapens his grandiose motives and simplifies slavery, treating it as cut- and-dry genre piece. Characters are easy Hollywood stereotypes--"villains" like the Spanish sailors or zealous abolitionists are drawn one-dimensionally and sneered upon. And Spielberg can't suppress his gifted eye, undercutting normally ugly sequences, such as the terrifying slave passage, which is shot as a gorgeous, well-lit composition. At its core, Amistad is a traditional courtroom drama, centered by ! a tired, clichéd narrative: a struggling, idealistic young l! awyer (M atthew McConaughey) fighting the crooked political system and saving helpless victims. Worse yet, Spielberg actually takes the underlying premise of his childhood fantasy, E.T. and repackages it for slavery. Cinque (Djimon Hounsou), the leader of the West African rebellion, is presented much like the adorable alien: lost, lacking a common language, and trying to find his way home. McConaughey is a grown-up Elliot who tries communicating complicated ideas such as geography by drawing pictures in the sand or language by having Cinque mimic his facial expressions. Such stuff was effective for a sci-fi fantasy about the communication barriers between a boy and a lost alien; here, it seems like a naive view of real, complex history. --Dave McCoyOn the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international l! aw. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on a zigzag course, La Amistad was finally captured at Long Island, New York, where the Africans were jailed and charged with piracy and murder.

Dark City (Director's Cut) [Blu-ray]

  • The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri
The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious! group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City ha! s precious little heart and soul. One-dimensional characters a! re no ma tch for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Monday, January 16, 2012

Canvas Prints of 62nd Cannes Film Festival - Dont Look Back Premiere from PA Photos

  • This 20x16 Canvas Print features an image chosen by PA Photos. Estimated image size 508x406mm.
  • White Sides Photo printed on archival quality canvas. Laminated. Canvas print stretched and hand mounted over thick 1 3/8 inch wooden bars. No frame, Gallery art appearance. Ready to hang
  • Image Description: Actress Sophie Marceau (left) arrives at the premiere of Dont Look Back at the Palais des Festivals, in Cannes, France, at the 62nd annual Cannes Film Festival.
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Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to h! is subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyFilming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former a! ctress Alice (Greta Scacchi), for instance, is trying to get h! er direc torial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyScreenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-notes of the International Movie Business. FOR MORE INFOR! MATION, PLEASE VISIT: TheRainbowStore.com20x16 Canvas Print, White Sides. , 62nd Cannes Film Festival - Dont Look Back Premiere. Actress Sophie Marceau (left) arrives at the premiere of Dont Look Back at the Palais des Festivals, in Cannes, France, at the 62nd annual Cannes Film Festival. Chosen by PA Photos. Photo printed on archival quality canvas. Laminated. Canvas print stretched and hand mounted over thick 1 3/8 inch wooden bars. No frame, Gallery art appearance. Ready to hang.

Warhammer 40K RPG: Deathwatch Core Rulebook (Warhammer 40,000)

Friday, January 13, 2012

Dark Secrets 2: No Time to Die; The Deep End of Fear

  • ISBN13: 9781416994626
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A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them cel! ebrate the emotions that make us all one.

"Riveting . . . twists that will spin you around." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's ! friction and torment--along with many gritty realities of fam! ily life --with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Ever find yourself asking those kind of questions that, unfortunately, most people shy away from? Ever pondered some of the deeper "mysteries" of God only to find a Sunday School answer that just doesn't quite cut it anymore? Wading In the Deep End seeks to answer many of those tough questions with a Biblical response. Whether it be spiritual gifts, where Jesus went when he died, predestination, or any of the other subjects covered, Wading is sure to leave you with something to chew on."Another exciting read by Traci Abramson, Traci brings together personal experience in competitive swimming and insider knowledge of US spy agencies to deliver a riveting story from the first paragraph to the last"In No Time to Die, the drama is deadly. Jenny is going undercover for the summer at the theater camp! where her sister, Liza, was murdered just a year earlier. Though Jenny is still grieving the loss of her sister and feels completely out of place on stage, she is determined to discover why Liza was murderedâ€"and more importantly, who killed her. Soon she thinks she hears Liza speaking to her, and suspects someone may be following her. The drama is even more twisted than she thought….

In The Deep End of Fear, Kate thought she was done with daring adventures after her childhood friend Ashley tragically drowned in an icy pond. But when she returns to her childhood home, it all comes flooding back. To stop history from repeating itself, Kate must face the childhood fears that have haunted her for so long….

Wednesday, January 11, 2012

The Cake Eaters

"F" is for Fugitive (Kinsey Millhone Mysteries)

  • ISBN13: 9780312939045
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In 2003 a unique group of adult paranormal students find that invoking the spirits can be dangerous; especially when their paths intertwine with a demented spirit who bitterly grieves over the early death of his only son during the Civil War; he still avenges his son's death by murdering Southerners. When one woman in the paranormal group disappears, the instructor seeks help from Private Investigator Russell Williams who discovers that he might have to arrest a spirit. Lack of training in such ghostly matters makes his job nearly impossible until he finds a special option within himself. This strange deadly assignment changes his entire life.
"Don't believe it until I see it", he said. He didn't! believe in ghosts until....


In 2003 a unique group of adult paranormal students find that invoking the spirits can be dangerous; especially when their paths intertwine with a demented spirit who bitterly grieves over the early death of his only son during the Civil War; he still avenges his son's death by murdering Southerners. When one woman in the paranormal group disappears, the instructor seeks help from Private Investigator Russell Williams who discovers that he might have to arrest a spirit. Lack of training in such ghostly matters makes his job nearly impossible until he finds a special option within himself. This strange deadly assignment changes his entire life.
"Don't believe it until I see it", he said. He didn't believe in ghosts until....


Forever altered by his experience in Furnace Penetentiary, Alex has done the impossible and escaped. But the battle for freedom is only just beginning. Charged with his superhum! an abilities, Alex must uncover the last of Furnace’s secret! sâ€"the truth about the man who built the prison, the man known as Alfred Furnace. And to do that he must stop running and finally confront his greatest fears.

When Kinsey Millhone first arrives in Floral Beach, California, it's hard for her to picture the idyllic coastal town as the setting of a brutal murder. Seventeen years ago, the body of Jean Timberlake--a troubled teen who had a reputation with the boys--was found on the beach. Her boyfriend Bailey Fowler was convicted of her murder and imprisoned, but he escaped.

After all this time, Bailey's finally been captured. Believing in his son's innocence, Bailey's father wants Kinsey to find Jean's real killer. But most of the residents in this tight-knit community are convinced Bailey strangled Jean. So why are they so reluctant to answer Kinsey's questions? If there's one thing Kinsey's got plenty of it's persistence. And that's exactly what it's going to take to crack the lid on this case.

As K! insey gets closer to solving Jean's murder, the more dirty little secrets she uncovers in a town where everyone has something to hide--and a killer will kill again to keep the past buried...

The Mistress of Spices

  • Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo s own desires are stirred for the first time. Format: DVD MOVIE Genre: FOREIGN Rating: PG-13 Age: 796019802741 UPC: 796019802741 Manufacturer No: 80274
A clash of cultures in the spirit of MY BIG FAT GREEK WEDDING, this modern musical retelling of Jane Austen's classic PRIDE AND PREJUDICE is a hilariously entertaining tale of one girl's unlikely search for love! Sparks immediately fly as a love/hate relationship ignites between a small-town beauty (international star Aishwarya Rai) and a wealthy American (Martin Henderson -- THE RING, TORQUE) who's visiting her modest Indian village. In a swirl of music, dance, and comic misunderstandings, these opposites continue to attract and repel each other! in a riotous romance that spans three continents! Featuring Naveen Andrews (TV's LOST, THE ENGLISH PATIENT) and a memorable performance from top recording artist Ashanti -- love will eventually conquer all in this acclaimed treat from the director of BEND IT LIKE BECKHAM!The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfo! ld, Lalita wonders if she hasn't misjudged Darcy--and Johnny. ! Austen f ans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks the intimidating charisma of previous Mr. Darcys (including Laurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerThe exotic sounds, vibrant colors, and ecstatic dancing of Bollywood co! llide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfold, Lalita wonders if she hasn't misjudged Darcy--and Johnny. Austen fans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks! the intimidating charisma of previous Mr. Darcys (including L! aurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret Fetzer(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo’s own desires are stirred for the first time.

Funrise Gazillion Bubble 64 oz. Solution

A Good Day to be Black & Sexy

Saturday, January 7, 2012

United Cutlery UC2772 Expendables Kunai Thrower Set with Sheath, 3-Piece

Jackie Chan's First Strike

  • 1999 - New Line - DVD - Jackie Chan's First Strike
  • Jackie Chan, Jackson Lou, Chen Chun Wu
  • PG-13 - Widescreen & Standard Versions
  • 85 Minutes - Bonus Features - Multiple Languages
  • Collectible

Reach fell, and when hope seemed lost, humanity stood face-to-face with the possible extinction of all life in the galaxy and lived to tell the tale.

But that was just one epic battle, and the war rages on . . .

The Covenant shows no mercy as they continue to assault every human world they can find, but in their way lies humanity’s great champion, Spartan-117, the Master Chief.  Together with his AI companion Cortana and the last remaining Spartans, the fight continues on two fronts.

One takes a crew of Spartans to the charred surface of Reach, the only planet they’ve ever known as home.  But beneath the surface, Dr. Halse! y has discovered an ancient secret…one that could alter the course of the war.  

Meanwhile, Master Chief and Cortana head towards a gathering of Covenant warships because the UNSC’s worst nightmare has come true:  the Covenant has discovered the location of Earth and is forming a massive fleet to destroy it…and all who oppose the will of the Prophets.  

September 11, 2001, did not represent the first aerial assault against the American mainland. The first came on July 17,1996, with the downing of TWA Flight 800. This book looks in detail at what people saw and heard on this fateful night.

First Strike explains how a determined corps of ordinary citizens worked to reveal the compromise and corruption that tainted the federal investigation. With an impressive array of facts, Jack Cashill and James Sanders show the relationship between events in July 1996 and September 2001 and proclaim how and why the American government has a! ttempted to cover up the truth.

In post-soviet Russia nothi! ng is as it seems. When members of the Russian mafia pose as KGB agents to steal a nuclear missile the CIA calls on martial arts master Jackie Chan to stop them. Jackie treks the globe from the icy glaciers of the Ukraine to the pristine beaches of Australia. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Jackie Chan Jackson Lou Run time: 85 minutes Rating: PG13 Director: Stanley TongAction-god Jackie Chan does his best James Bond impression with this ecstatic sequel to the classic Supercop. The bare-bones plot has Chan in pursuit of international terrorists, but the narrative quickly gives way to an unceasing barrage of insane stunt work (including a nitro-fueled ski chase and a grandiose fight scene set inside a functioning shark tank). As with most of the aging star's recent films, there is more of an emphasis placed on big, impersonal (albeit impressive) stunts rather than the close-up combat that made him famous; but the end result is still a must-s! ee rush for longtime fans, and a great introduction for newcomers eager to see what all the well-deserved fuss is about. The scene where Jackie takes on multiple goons while armed only with a ladder is one of his most jaw-dropping set pieces ever--and that's saying quite a lot. Be sure to stick around for the closing credits of gags gone awry, which graphically prove that Chan is truly the hardest working man in show business. --Andrew Wright

Friday, January 6, 2012

De-lovely : The Cole Porter Story : Widescreen Special Edition

  • Widescreen
"The most unusual and enchanting musical in years" (Roger Ebert), this cinematic ode to legendary composer Cole Porter is at once buoyantly fun and "heartbreakingly beautiful" (Liz Smith). OscarÂ(r) winner* Kevin Kline (The Ice Storm) is "perfection" (Rolling Stone) as the elegant and deeply complex Porter in a film that offers "knockout performances" (Gene Shalit) from Natalie Cole, Elvis Costello, Sheryl Crow, Diana Krall, Alanis Morissette and Robbie Williams, and "melancholy, wit and style to burn" (The Philadelphia Inquirer)! From Paris to Venice to Broadway to Hollywood, the lives of Cole (Kline) and Linda (Ashley Judd) Porter were never less thanglamorous and wildly unconventional. Though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.*1988: Supporting Actor, A Fish Called Wa! ndaIt's astonishing that one man could have written so many memorable songs, but musical gems keep popping up in De-Lovely, about the life and loves of Cole Porter. Played by Kevin Kline (In & Out, A Fish Called Wanda), an elderly Porter is summoned by a mysterious director (Jonathan Pryce, Brazil) to view his own story, which unfolds as a series of theatrical tableaux. The movie is open (if a bit chaste) about Porter's homosexuality, but argues that the love of his life was still his devoted platonic relationship with Linda Lee (Ashley Judd, Ruby in Paradise, Kiss the Girls). Unfortunately, the narrative suffers from the fate of many biographies; by trying to cram in a person's entire life, it ends up a collection of snapshots without depth or context. The parade of celebrity singers (Alanis Morissette, Sheryl Crow) were apparently chosen for their jarringly modern vocal mannerisms. --Bret FetzerStudio: Tcfhe/mgm Release Da! te: 04/05/2011 Rating: Pg13European version of 19-track sound! track in cludes the bonus track 'Easy To Love' - Kevin Kline. Columbia.At first glance, the approach picked for De-Lovely will be familiar to those who already own Red Hot + Blue: A Tribute to Cole Porter. On both albums, contemporary pop stars cover classics by Porter. But many of the interpretations on Red Hot + Blue were modernized, whereas the approach on De-Lovely is more traditional---it's the soundtrack to a biopic about Porter, after all, so a classic (though not quite period) sound prevails. What's surprising is how well many of the singers handle the songs without the crutch of a contemporary pop retooling. Who would have thought that Alanis Morissette had such a natural affinity for "Let's Do It (Let's Fall in Love)," for instance? She fares equally well in her screen cameo, whereas Diana Krall sounds superb on "Just One of Those Things" but looks horribly uncomfortable in the film. Other good surprises include Robbie Williams's "It's De-Lovely! " and Kevin Kline as Porter, coming across as a more tuneful Rex Harrison. Elvis Costello, meanwhile, confirms he's a better songwriter than singer, and as Linda Porter, Ashley Judd is hesitant at best. In a nice touch, a recording of Cole Porter himself performing "You're the Top" provides the album's coda. --Elisabeth Vincentellidvd
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